By Jerry D. Schmidt

Within the Poet Zheng Zhen (1806-1864) and the increase of chinese language Modernity, J. D. Schmidt presents the 1st designated examine in a Western language of 1 of China's maximum poets and explores the nineteenth-century history to chinese language modernity, tough the commonly held view that this can be mostly of Western beginning. the quantity incorporates a research of Zheng's existence and occasions, an exam of his notion and literary concept, and 4 chapters learning his hugely unique contributions to poetry at the human realm, nature verse, narrative poetry, and the poetry of principles, together with his writings on technology and know-how. Over 100 pages of translations of his verse finish the paintings.

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Extra info for The Poet Zheng Zhen (1806-1864) and the Rise of Chinese Modernity

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At the end of his escapades in heaven, the Monkey King found himself on the palm of the Buddha and, after attempting to leap off of it, was imprisoned. See the translation of this passage in Wu Cheng’en, Anthony C. , The Journey to the West, Chapter 7, 172-3. 15 For a short biography of Zheng Zhenduo, see Boorman, Biographical Dictionary of Republican China, vol. 1, 266-70. A much more detailed account is found in Chen Fukang, Zheng Zhenduo nianpu. The original title of Zheng’s study was Zhongguo wenxue shi.

Since Qian states that the articles were written about “forty-seven years” ago, and the book was published in 1986, the poetry talks would have appeared ca. 1939, when Qian was living in Nanjing. , 280. Another famous scholar of the era who evaluated Zheng Zhen’s poetry very highly is Guo Shaoyu 郭紹虞 (1893-1984), best known for his study of pre-twentieth-century Chinese literary theory and criticism. See Guo Shaoyu, Zhongguo wenxue pipingshi, 644. introduction 7 The Rewriting of the Canon Yet, as in so many cases, Liang Qichao had the final word on this subject.

Of a total of 846 pages, only 95 pages (pp. 191-235 and 795-846) deal with vernacular novels and only 77 pages (pp. 236-57 and pp. 738-94) treat drama, in spite of the contemporary emphasis on these two forms. Although I have not seen any complete bibliographies of the monographs about vernacular fiction published in the Qing Dynasty, I would hazard to guess that they could almost be counted on the fingers of both hands. According to the authoritative study of the most important genre of books written about shi poetry, namely poetry talks (shihua 詩話), 968 were printed in the Qing Dynasty, 504 of which may now be lost, while 464 were personally inspected and commented on by the author.

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