By Nancy K. Gish
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Additional info for Time in the Poetry of T. S. Eliot: A Study in Structure and Theme
Example text
Eliot was to remark later that human affections, unless elevated by love of God, 'have little to distinguish them from the "natural" affections of animals '. 1 7 The hard, debased quality of sexuality in all the 1920 poems as well as The Waste Land stems from this lack of higher value. Eliot's treatment of history emphasises personal relations as well as religion and culture. The poems are not primarily concerned with the meaning of history; rather, they regard history as a form of time capable of allowing permanence.
Human affairs do differ, but Antony's love was also transient; in the end the gods deserted him. Viewed in relation to the divine, all merely human and temporal acts are equally meaningless. This may be emphasised in the third stanza. According to B. C. Southam: Eliot's phrasing,' Beat ... with even feet' echoes the words of Horace 'aequo puis at pede' (Odes, I, iv, 13) describing the movement of death among all mankind, kings and paupers alike. In Horace 'aequo' (literally 'equal' or 'even') takes on the meaning impartial, ruthless, unremitting.
The word within a word, unable to speak a word, Swaddled with darkness .... The source in Andrewes' sermon reads:' Signes are taken for wonders: (Master we would faine see a Signe, that is a miracle). And in this sense, it is a Signe, to wonder at. ' 24 The tone is one of wonder, amazement at this Word with no word. When viewed in relation to the whole 1618 Nativity sermon, these lines suggest far more for Gerontion than mere doubt or even the wish for a sign of salvation. They suggest why, despite the very presence of the sign, Gerontion is caught in a sensual and spiritual void.