By Christa Sommerer, Laurent Mignonneau
Artists and creators in interactive artwork and interplay layout have lengthy been undertaking study on human-machine interplay. via inventive, conceptual, social and demanding tasks, they've got proven how interactive electronic strategies are crucial parts for his or her creative creations. ensuing prototypes have usually reached past the artwork enviornment into components equivalent to cellular computing, clever ambiences, clever structure, stylish applied sciences, ubiquitous computing and pervasive gaming. some of the early artist-developed interactive applied sciences have encouraged new layout practices, services of brand new media society. This e-book brings jointly key theoreticians and practitioners of this fields. It exhibits how traditionally proper the problems of interplay and interface layout are, as they are often analyzed not just from an engineering standpoint yet from a social, creative and conceptual, or even advertisement attitude as well.
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Additional resources for The Art and Science of Interface and Interaction Design
Example text
Brecht transferred his theory of the theatre to media and acknowledges the social and political effects of human-human communication characterized by evermore perfect media machines. Yet despite these extremely different starting points, today, the extrapolations of these theses meet in the form of information sciences and cultural media theory—for instance in the discussion on the connection between the political and the technological function of the Internet. Against this background, in the following the concept of interactivity and its relevance in media art will be examined as a field of interference between ideology and technology.
Social Psychology. An Outline and Source Book, New York, p. : Social Psychology as Counterpart to Physiological Psychology. The Psychological Bulletin VI(12), 401–408 (1909); Cf. html (October 24, 2007); I would like to thank Gunther Reisinger calling my attention to this essay 7. Cf. : Social Psychology. P. ) Man and Society. A Substantive Introduction to the Social Sciences, New York, pp. 144–198, here p. 170 (1937) 8. , p. 171 9. , p. 191 10. : The Human Use of Human Beings. Cybernetics and Society, New York, p.
In: Texte zur Kunst 58, pp. 92–103 (2005); here p. 1 (transl. Aileen Derieg) 2. : Zeitgenössische Kunst und ihre Betrachter. Positionen und Positionszuschreibungen. ) Zeitgenössische Kunst und ihre Betrachter. Jahresring 43, pp. 13–43 (1996); here p. 19 (transl. Aileen Derieg) 3. They attempt to cover more than 100 years of a term’s history and breakdown can of course only offer a very rough and exemplary summary of the relevant objectives and theories. The references given in the footnotes try to compensate this deficit by suggesting further readings 4.