By Lynette Hunter
Reviews of figuring out explores what occurs to technological know-how and computing once we examine them as texts. Lynette Hunter elegantly weaves jointly large components of inspiration: rhetoric, politics, AI, computing, feminism, technological know-how experiences, aesthetics and epistemology.Critiques of understanding exhibits us that what we'd like is a thorough shake-up of methods to the humanities if the evaluations of technological know-how and computing are to come back to any fruition.
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Extra resources for Critiques of Knowing: Situated Textualities in Science, Computing and the Arts
6 The revolution in science that took place during this period saw the public communication of science move from debate to performance. As science became increasingly an aristocratic pursuit, it turned its attention to technology as the traditional field of experiment, not for money but for leisure, and specifically for leisure that could be legitimated as a serious activity. Whereas the sixteenth century abounds in books that tell you how to make after-dinner fireworks to entertain your guests, by the end of the seventeenth century gunpowder, firearms 30 Rhetoric and artificial intelligence and the like are areas of study about which the carefully chosen members of the Royal Society send each other papers, documented in the Transactions.
For example, the standpoint theorist Dorothy Smith reiterates that ‘Capitalism creates extralocal, impersonal, universalised forms of action’ 57 so that, in a restatement of the need to remember to forget, The abstracted conceptual mode of ruling [ideology] exists in and depends upon a world known immediately and directly in the bodily mode. The suppression of that mode of being as a focus, as thematic, depends upon a social organisation that produces the conditions of its suppression. (Smith 1987:81) She then goes on to elaborate the position of standpoint theory as working precisely from the local conditions of power that are excluded from state-subject relations: in the civic and domestic rather than ideology.
This is 42 Rhetoric and artificial intelligence particularly so since many AI writers use the narrative structures and vocabulary of the literature of science fiction and fantasy, often drawing on these books for analogies; 62 but they seem unaware both of the doubleedged rhetorical activity of the genre, 63 and of the current domination of its exploitative strategies. In contrast, Charniak and McDermott, in writing an all-encompassing textbook that has more in common with earlier teaching texts, are unexpectedly but also superficially more conservative.
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