By William Shakespeare
Shakespeare's nice tragicomic romance, "The Winter's Tale", comprises the newly up-to-date positive factors of the Signet vintage Shakespeare sequence, dramatic feedback and a distinct advent through editor Sylvan Barnet.
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Additional resources for The Winter's Tale
Sample text
Prudery may have been at the root of the academic failure to talk much about the use of boy actors, or maybe there really is not much more to say than that it was a convention of a male-centered culture (Stephen Greenblatt’s view, in Shakespearean Negotiations [1988]). Further, the very nature of a convention is that it is not thought about: Hamlet is a Dane and Julius Caesar is a Roman, but in Shakespeare’s plays they speak English, and we in the audience never give this odd fact a thought. Similarly, a character may speak in the presence of others and we understand, again without thinking about it, that he or she is not heard by the figures on the stage (the aside); a character alone on the stage may speak (the soliloquy), and we do not take the character to be unhinged; in a realistic (box) set, the fourth wall, which allows us to see what is going on, is miraculously missing.
In this anthology of snippets accompanied by an essay on literature, many playwrights are mentioned, but Shakespeare’s name occurs more often than any other, and Shakespeare is the only playwright whose plays are listed. From his acting, his play writing, and his share in a playhouse, Shakespeare seems to have made considerable money. He put it to work, making substantial investments in Stratford real estate. As early as 1597 he bought New Place, the second-largest house in Stratford. His family moved in soon afterward, and the house remained in the family until a granddaughter died in 1670.
When Horatio describes the Ghost as an “erring spirit,” he is saying not that the ghost has sinned or made an error but that it is wandering. Here is a short list of some of the most common words in Shakespeare’s plays that often (but not always) have a meaning other than their most usual modern meaning: All glosses, of course, are mere approximations; sometimes one of Shakespeare’s words may hover between an older meaning and a modern one, and as we have seen, his words often have multiple meanings.