By Salvador Espriu
Aquest volum reuneix tres obres de Salvador Espriu, centrades en dues figures mítiques gregues que l. a. tradició occidental sempre ha tingut provides: Antígona i Fedra. Com explica Carles Miralles en el pròleg que ha escrit expressament in line with a aquesta edició, en los angeles seva Antígona (escrita el 1939 i reescrita entre 1963 i 1964), Espriu replanteja los angeles tragèdia homònima de Sòfocles: "La mítica guerra civil tebana s'hi convertia en rerefons de l. a. guerra civil espanyola, des del punt de vista de Catalunya ja perduda tant políticament com culturalment". El 1937, Espriu s'havia enfrontat consistent with primera vegada al mite de Fedra, l'esposa del rei d'Atenes enamorada del seu fillastre Hipòlit, en una esplèndida peça narrativa; quaranta anys més tard, a petició de l'actriu Núria Espert, va escriure l'obra dramàtica Una altra Fedra, si us plau, en què, valent-se del recurs del teatre dins el teatre, dóna una visió distanciada i irònica del mite.
Read Online or Download Antígona. Fedra. Una altra Fedra, si us plau (LB) PDF
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Extra resources for Antígona. Fedra. Una altra Fedra, si us plau (LB)
Women wore yellow robes (keep in mind that men played the women). Fig. 4 The Roman Odeum in Pompeii, Italy. Roman Theatre 7 Now here is a really important one: If you were playing a god, you wore a yellow tassel. I’m not sure why a tassel meant a god, but hey, it’s one of those fun facts of theatre history. The Middle Ages The middle ages were an interesting time, to say the least. There was much upheaval of the political, economic, and religious life of the time. So basically everything was changing!
Fig. 4 The Roman Odeum in Pompeii, Italy. Roman Theatre 7 Now here is a really important one: If you were playing a god, you wore a yellow tassel. I’m not sure why a tassel meant a god, but hey, it’s one of those fun facts of theatre history. The Middle Ages The middle ages were an interesting time, to say the least. There was much upheaval of the political, economic, and religious life of the time. So basically everything was changing! What survived in the theatre was the base that had been established through the Greek and Roman genres.
You’ve got what you think will be the production to take your career to the next level, and then no one “important” comes to see it. Are you disappointed? Does this make your work any less good? Absolutely not! Interesting Quote: It’s not Show Fun … it’s Show Business. —M. L. Geiger My goal has always been to do the best work I can, every single time. If I am happy with my work, then I can only assume that someone will eventually see it and agree with me. This is how I started out my career, how I continued my career, and how my career has gotten to where it is today.
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