By Robert G. Henricks
This can be an annotated English translation of the poetry of Han-shan (Cold Mountain), a seventh or eighth century chinese language Buddhist recluse who wrote many poems approximately his lifestyles by myself within the hills. a lot of his poems describe the mountains the place he lived in dramatic, but attractive phrases, whereas whilst symbolizing in Zen model the Buddhist quest for enlightenment. Han-shan grew to become a cult determine within the Ch'an/Zen culture, and legends painting him and his significant other Shih-te as eccentrics who stated and did nonsensical issues. Han-shan does frequently write on strange issues with a few of his "poems" being shrewdpermanent insights that simply occur to be metric and rhymed. His language is straightforward and direct; his photographs and emblems clean and ambitious. whereas the literary price of his paintings has for the main half been neglected, this publication offers line-by-line literary research of a few of the extra artistically fascinating poems. Henricks' paintings represents, consequently, an enormous contribution to the examine of chinese language literature and chinese language faith.
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Extra resources for The poetry of Han-shan : a complete, annotated translation of Cold Mountain
Example text
1 My return2 this has its set time, And all you'll need is one bamboo screen. , his death. " Note the relevance of these lines to poem 37 as well. 4 That is to say, he has no hopes of being carried off by the symbols of Taoist immortality. )who chose to starve to death on Mt. 1115. 9 People ask the way to Hanshan, But there are no roads that get through. In the summer, the ice not yet melted, And though the sun comes up, the fog is still thick and dense. How has someone like me arrived? My mind and yours are not the same.
It is at one and the same time the wooden pole to be used in a barn and, symbolically, a government post that an old, but good, man might hold. 11 I press my horse on to pass by the deserted city;1 Deserted cities move the feelings of the traveller. High and low, the old battlements; Large and small, ancient tombs. 3 What I lamentthese are all common bones; What's more, you won't find their names in the histories of the immortals. 399; translated by Watson in Chinese Lyricism [New York: Columbia University Press, 1971], p.
3 1 I here break up kuei and i, but as a compound kueii means to take Buddhist vows, to take up the faith. 259279. 291371. 2 'Midst layers of cliffsthe place I divined to live;1 Up on bird's trails,2 cut off from the tracks of men. What is there by the side of my court? 3 I've lived here a number of years; Repeatedly seeing the change from winter to spring. Hanshan clearly identifies with the author of this little piece (attributed to Ch'ü Yüan) in choosing to live away from a corrupt and compromising society.