By Martin Greenberg
Publication through Greenberg, Martin
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Additional resources for The Hamlet vocation of Coleridge and Wordsworth
Example text
But Wordsworth was never able to write "The Recluse"; he was never even able to begin it. Instead he wrote a long poem, The Prelude, about writing a great poem. " Like Hamlet, like Coleridge, Wordsworth in the end was defeated by self-divisionbut only in the end. The whole tendency of his imagination was toward severity, sublimity; it was to soar, Alp-like, above the common life of men and women into prophetic blank tremendousness. And just because of that tendency Wordsworth mistrusted his own imagination, though he also honored it.
In writing about Coleridge and Wordsworth, one's general debt to others is immense. But I should like to acknowledge my specific debt to Schiller's essay "On Naive and Sentimental Poetry" and A. C. Bradley's Oxford Lecture on Wordsworth. In spite of time they keep all their essential vitality. Among works by critics of our own day I owe a special debt to Geoffrey Hartman's book Wordsworth's Poetry, its brilliance undimmed after twenty years. " His influence, as always, has been a lively one for mein this instance lively in opposition.
This was at the age of fourteen. Muteness was death for him; though it is a question whether his compulsion to put things into words, to articulate and explicate and expatiateto realize the world to himself in utterance (which was at the same time to fend it off)was not, like his Ancient Mariner's same speaking-compulsion, a species of life-in-death. " Coleridge's life was one long outpouring of language. And running through all the words, like a stream within a stream, was the subject of himself, the problem of himself, which never ceased to baffle him.