By Li-hua Ying
Modern chinese language literature has been flourishing for over a century, with various levels of depth and effort at various junctures of heritage and issues of locale. a vital part of global literature from the instant it was once born, it's been in consistent discussion with its opposite numbers from the remainder of the area. because it has been challenged and enriched by means of exterior impacts, it has contributed to the wealth of literary tradition of the whole global. by way of issues and kinds, glossy chinese language literature is wealthy and sundry; from the progressive to the pastoral, from romanticism to feminism, from modernism to post-modernism, severe realism, mental realism, socialist realism, and magical realism. certainly, it contains a complete diversity of ideological and aesthetic concerns.
The A to Z of recent chinese language Literature provides a wide viewpoint at the improvement and heritage of literature in glossy China. It deals a chronology, creation, bibliography, and over...
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Zhang Jie, Zong Pu, and others win the Mao Dun Literature Prize. Bi Feiyu, Wang Anyi, Jia Pingwa, Shi Tiesheng, and others win the Lu Xun Literature Prize. A Private Life, a translation of Chen Ran’s 1996 novel Siren shenghuo, published. 2006 Tie Ning elected president of the Chinese Writers’ Association, the first woman to hold that position. The Chinese Poetry of Bei Dao, 1978–2000: Resistance and Exile published. 2007 My South Seas Sleeping Beauty: A Tale of Memory and Longing, a translation of Zhang Guixing’s Wo sinian de chang mian zhong de nan guo gongzhu; The Old Capital: A Novel of Taipei, a translation of Zhu Tienxin’s story collection Gu Du; and Cries in the Drizzle, a translation of Yu Hua’s novel Zai xiyu zhong huhuan, published.
While critical realism, which was perceived as best equipped to address contemporary sociopolitical problems, dominated the field, other trends also prevailed. Shen Congwen’s pastoral representations of his hometown, a natural society indifferent to moralistic restrictions of Confucian ethics and modern urban materialism, Zhang Ailing’s stylized prose that probes the dark side of the human psyche, Shi Zhecun’s introspective narratives, Li Jinfa’s symbolist poems, and Zhang Henshui’s romantic novels coexisted with mainstream writings by Lu Xun, Mao Dun, Ba Jin, and a cohort of socially conscious writers.
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