By John Steinbeck
Two devastating brief novels tailored for the degree through Steinbeck himself
This Penguin Classics variation celebrates Steinbeck’s dramatic diversifications of his strongest brief novels, Of Mice and Men and The Moon Is Down, that includes a foreword by way of award-winning actor James Earl Jones.
Of Mice and Men represents an test in shape – as Steinbeck positioned it, “a type of playable novel, written in novel shape yet so scened and set that it may be performed because it stands.” A rarity in American letters, it completed outstanding good fortune as a singular, a Broadway play, and 3 acclaimed films. Of Mice and Men acquired the hot York Drama Critics’ Circle Award for top Play in 1937-1938. a few acclaimed actors have interpreted the enduring roles of George and Lennie for degree and display, together with James Earl Jones, John Malkovich and Gary Sinise.
The Moon Is Down uncovers profound, usually unsettling truths approximately battle and human nature. It tells the tale of a peaceful city taken by means of enemy troops, and had a unprecedented impression as Allied propaganda in Nazi-occupied Europe.
This Penguin Classics variation of the theatrical diversifications of Steinbeck’s vintage brief novels is vital to actors, playwrights, filmmakers and administrators learning the dramatic paintings of the Nobel Prize profitable writer of The Grapes of Wrath and East of Eden.
Read Online or Download Of Mice and Men and The Moon Is Down (Penguin Classics) PDF
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Additional resources for Of Mice and Men and The Moon Is Down (Penguin Classics)
Example text
But still you did succeed, to some extent at least, in breaking free. And you did succeed, to some extent I take with Joanna - so not altogether a case for predestination, when you think of it. it, WOOD. Free meals, lots of gifts, little loans by the usual ploppy techniques of obligation and dependence - not that she felt dependent or obliged. She took what I offered and then asked for more. A generous nature. Did she get anything from you? SIMON. She didn't ask for anything. WOOD. - Just as you never asked for anything from those boys Higgens, Hornby, Darcy.
Yes. All we then? Get back to - (thinks) Oxford, did you? SIMON are JEFF. I 59 (sees him. Gets right, didn't get to the bloody corner. SIMON. Oh Why really. not? Simon, right behind me, then me, then right on bloody top of me with the cops all bloody over me, breathalysing me, shaking me about, and then down at the station for the rest of it. That's why bloody not. And you tipped the buggers off, friend, Christ! JEFF. There was a police car, right beside SIMON. What? ( Vaguely. JEFF. No, don't deny it.
And how did you to bed? well, get out of afraid as she's from the sound of SIMON. Oh you did. SIMON. Rudely, I'm BETH. Ah and a nasty sense of humour. tits did she try to get SIMON. She usual sort of Jeff saga, way. it. Ah well it? on to rather a good book, - you can play your records now, no. Wouldn't dream of can't you? it. BETH. Why not? SIMON. BETH. Well, for one thing, you hate Wagner. Well, I'm going to have a bath. SIMON. A four-hour bath? BETH. Afterwards I've got to go along to the school the fares and docket them, that sort of thing.