By Harald Johnson
I purchased this publication within the desire of turning into a greater printer no longer a greater comercial printer. this can be definately now not a how-to e-book, for do it your self hobbyist like myself, yet extra of a reference guide for comercial printers.
For the fee I acquired to claim the ebook is particularly good illustrated and comprises approximately four hundred pages of pictures and print. even though, lots of the pages should not devoted to particular guideline on tips to print, yet on apparatus graphs and printer necessities. it sort of feels as though the writer is thrashing round the bush. Out of the 11 chapters during this publication, i believe simply 2 of them are devoted to guide, whereas the remainder is devoted to reference.
For instance have a look at many of the bankruptcy headings "Navigating the electronic landscape", "Understanding electronic Printing", "Understanding and handling Color", "Determining Print Permanence", "Selecting an Inkjet Printer", "Choosing your Consumables", "Using a Print provider, get the image. This makes for attention-grabbing analyzing on a nasty climate day, or while you're on an extended journey to Honk Kong, however it certain wont make you a grasp printer.
As a question of truth lots of the educational fabric bargains with one or examples that didn't particularly enlighten me whatever, considering that I had chanced on a similar info on the net sooner than buying this ebook.
The method I see it this publication will make an exceptional dialog merchandise in my becoming library of photographic books, yet i do not see it as a operating handbook sitting on my table or via my printer. consequently, i'm very dissapointed with and can't recomend it for complex amateurs like myself.
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Mastering Digital Printing, Second Edition (Digital Process and Print)
I purchased this publication within the wish of changing into a greater printer no longer a greater comercial printer. this is often definately now not a how-to e-book, for do it your self hobbyist like myself, yet extra of a reference handbook for comercial printers.
For the cost I bought to claim the booklet is particularly good illustrated and includes approximately four hundred pages of pictures and print. although, many of the pages should not devoted to particular guideline on easy methods to print, yet on apparatus graphs and printer requisites. it sort of feels as though the writer is thrashing round the bush. Out of the 11 chapters during this e-book, i believe merely 2 of them are devoted to guide, whereas the remainder is devoted to reference.
For instance look at many of the bankruptcy headings "Navigating the electronic landscape", "Understanding electronic Printing", "Understanding and coping with Color", "Determining Print Permanence", "Selecting an Inkjet Printer", "Choosing your Consumables", "Using a Print provider, get the image. This makes for attention-grabbing studying on a nasty climate day, or if you are on an extended journey to Honk Kong, however it certain wont make you a grasp printer.
As an issue of truth lots of the tutorial fabric bargains with one or examples that didn't rather enlighten me whatever, considering I had discovered an analogous details on the internet ahead of paying for this ebook.
The manner I see it this ebook will make a very good dialog merchandise in my becoming library of photographic books, yet i do not see it as a operating guide sitting on my table or by way of my printer. hence, i'm very dissapointed with and can't recomend it for complicated amateurs like myself.
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Additional info for Mastering Digital Printing, Second Edition (Digital Process and Print)
Sample text
Many of these are made by contact-printing large negatives and most are monochromatic (cyanotypes are blue, which is why they’re also called “blueprints;” more recent diazotype process blueprints are positive instead of negative, earning them the nickname “bluelines”). Jill Skupin Burkholder is a practitioner of one of the oldest and most painterly of the traditional photographic processes: bromoil, which begins with a bleached silver print and ends with a pictorial version of the image that has been artistically interpreted using a brush and lithography ink.
Instead, they are little points that contain information in the form of binary digits or “bits” (ones and zeros—a “0” represents something, a “1” represents nothing or empty space). Bits are the smallest unit of digital information. A 1-bit image is the lowliest of all bitmaps. There are only two digits to work with—a 1 and a 0, which means that each picture element is either on or off, black or white (I’m keeping this to a simple one-color example to start with). But a 2-bit image is much more detailed.
Ink is then applied to the surface with a roller and transferred onto paper with a press or by hand-burnishing or rubbing. The recessed, cutaway areas do not receive ink and appear white on the printed image. Relief prints are characterized by bold dark-light contrasts. The primary relief techniques are woodcut (the earliest and most enduring print technique), wood engraving (made from the end-grain surface of blocks and offering more precision and detail), and linocut (printed from linoleum; well-suited for large areas of contrasting colors).