By Diane Purkiss
During this leading edge learn, first released in 2005, Diane Purkiss illuminates the function of gender within the English Civil struggle by means of targeting rules of masculinity, instead of at the function of ladies, which has hitherto bought extra recognition. Historians have tended to emphasize a version of human motion within the Civil conflict in response to the assumption of the human self as rational animal. Purkiss finds the irrational ideological forces governing the best way seventeenth-century writers understood the kingdom, the monarchy, the battlefield and the epic hero on the subject of contested modern principles of masculinity. She analyses the writings of Marvell, Waller, Herrick and the Caroline elegists, in addition to in newsbooks and pamphlets, and will pay specific recognition to Milton's advanced responses to the dilemmas of male identification. This examine will attract students of seventeenth-century literature in addition to these operating in highbrow heritage and the heritage of gender.
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Extra info for Literature, Gender and Politics During the English Civil War
Sample text
Contrasting with the well-mannered or wellregulated body of the soldier the body of a murderer might be seen as awash with uncontrolled forces. So as well as fearing the feminine, the rhetoric of atrocity exacerbated fear of more masculine disorders, or rather both fears turned on anxieties about the loss of the clean, hard, visible surface of masculine identity. One possible response was to return obsessively to the spectacle of what had previously terrified. It was routine to establish masculine identity in war in relation to a displaced femininity.
This was (roughly) the persona cultivated by John Crouch in his satirical Royalist newsbook The Man in the Moon: staunch, loyal, brave and intolerant of dissent. 32 The entire Cavalier image – bibulousness and all – owes a little to such heroes. Yet all these figures exist through a violent repudiation of both the wrong father and of the maternal. The first St George, as described in The Seven Champions of Christendom, has a far more troubled entry into the world: When his mother was conceived of him, she dreamed she was with child of a dragon, which should be the cause of her death: which dream she concealed till her painful burthen grew so heavy, her womb was not able to bear it; so that at length she revealed it to her husband, who was then Lord Steward of England.
The runaways on both sides were so many, so breathless, so speechless, and so full of fears, that I should not have taken them for men. 25 Unlike Foster under fire, both Trevor and Atkyns equate being under fire with confusion, and hence with disorder; to be unable to see is to be unable to decide which way to go, to be unable to find one’s way. This loss of direction is also a loss of identity, for identity involves not only a resolute hardness, a subordination of the body to the will, but also an ability to relate oneself to surroundings.