By Margaret B. Wan
Explores the advance of the chinese language martial arts novel.
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Additional resources for Green Peony and the Rise of the Chinese Martial Arts Novel (Chinese Philosophy and Cultures)
Example text
Sometimes this is mutually beneficial, as genres energize each other by counterbalancing each other’s values. 72 Either way, the genres form a dialogue over values, language, and technique. I will show the martial romance distinguishes itself from the genres it draws on by foregrounding this dialogue as it combines earlier motifs. Green Peony not only refuses classification as court-case fiction, military romance (yingxiong chuanqi), or scholar-beauty romance, but also plays the genre conventions off on one another.
For the sake of meter or rhyme the lute ballad frequently places the object in front of the verb using the particle jiang or ba. In this pattern mai shen (sell herself) becomes jiang shen mai. Standard grammar requires the verb be followed by something, but the ballad verse leaves the verb bare. Generally the novel respects the rules of grammar. 11 However, in several instances the novel copies the ballad’s poetic license. 12 Such patterns in the novel are vestiges of its chantefable origins. Another tell-tale sign that the novel The Picture of Tianbao was derived from the chantefable is its frequent use of strings of elaborate similes and Formation of a Formula 27 idioms.
The two of them, mother and daughter, went into the hall searching for Wang Lun and He Shilai, but they saw the screen was shut tight and knew the men had hidden. So with one kick they tipped over the feast that laid at the eastern side of the hall and broke off the four legs of the table. 51 The martial women prove more than a match for the villain and his men. The above account lays out how one motif, the attempted rape of a kidnapped woman, is handled in three novels derived from different performance genres.