By Horton Foote, Marion Castleberry
In Genesis of an American Playwright, Horton Foote, one of many maximum American playwrights of the 20th century, displays upon his trip from his early life in Wharton, Texas, via his early reports as an actor within the theatre, and to his mature vocation as a playwright. All alongside the best way, Foote conscientiously identifies the folks and affects that formed his personality and nurtured his artwork. what's striking approximately this booklet is both extraordinary approximately his drama: he writes with an effortlessness that belies the intimacy of the paintings emanating from deep inside of. The tales are easily informed, yet complicated of their resonance. Foote not just finds his instant expert international, yet he additionally presents a operating remark at the adjustments in American tradition. This ebook makes for as interesting studying because it does compelling heritage.
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Extra resources for Genesis of an American Playwright
Example text
The other was a photograph of a large, white, two-storied house, with a wide front and upper gallery and a circle of oaks in the front yard. It was called Seven Oaks, and on the gallery were two women surrounded by a group of children of various ages. From the Genesis of a Playwright 21 look of the children’s dress, I would guess that the picture was taken in the 1880s. This house was the home of my maternal grandfather, built by his father for his bride on the banks of the Brazos River in the town of East Columbia, a thriving river town in the 1850s.
I spent much time climbing this tree. I had to nail boards to the trunk to make a kind of ladder to help me reach its branches. To the right of our yard and across the street were cotton fields belonging to my grandfather, and beyond them were cotton fields belonging to my great-great-uncle. These cotton fields went right up to the back edge of the town itself, to the livery stable and a section known as the “Flats” that had black restaurants and a black barber shop and pool hall. There are houses on either side of my house now, and in front, where there once had been a dirt road, there is now a paved one.
For Foote, television was simply one more place where he could perform his one-act plays, a form to which he has always been attracted. “As a writer for the theater,” Foote stated, “I often felt that I had to waste a good deal of material that interested me simply because the material did not warrant a fuller treatment for the stage. Now, in the hour-long play, the writer has the opportunity to use just such material, and in a medium that presents this material with great honesty and emotional power” (“Sometimes the One-Act Play Says It All”).