By Terence Wright (auth.)

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Additional resources for Elizabeth Gaskell ‘We are not angels’: Realism, Gender, Values

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I don't see any end to it. I might as well have never lived. ' (139) She counters Roger's suggestion that 'perhaps in ten years' time you will be looking back on this trial as a very light one' (140) with the reflection which has given its title to the present study: 'I daresay it seems foolish; perhaps all our earthly trials will appear foolish to us after a while; perhaps they seem so now to angels. But we are ourselves, you know, and this is now, not some time to come, a long, long way off. ' (140) The immediate implication is that we should not live our lives in the context of eternity but, as Roger remarks a little later, as 'a mass of trials, which will only have to be encountered one by one, little by little' (140).

Oh! I am so glad to feel you,' squeezing his hand hard. 'Papa, I should like to get a chain like Ponto's, just as long as your longest round, and then I could fasten us two to each end of it, and when I wanted you I could pull. (24-5) But in many more cases secrecy suggests a moral failing, or at least a confusion. The most manifest example is, of course, Osborne's concealment of his marriage. Preston and Cynthia share a secret into which Molly is drawn, albeit innocently. Mrs Kirkpatrick is, as might be expected, deeply implicated in secrecy, since she is constantly concealing feelings and motives - about her personal circumstances, her desire to exclude her daughter from her wedding, in living by 'principles' when in fact she is fundamentally unprincipled.

2 'So runs the round of life from day to day': Wives and Daughters and Comic Realism Wives and Daughters is a tour de force of comic realism. Its unmistakably comic quality is easily detected in the frequently ironic narrative mode, the focus of interest on romantic love, culminating in the heroine's (imminent) marriage to the man she has long admired in secret, in the breadth of social perspective and the emphasis on manners as the principal formal medium of the book. But this is not easy comedy, relaxing us into laughter and reassuring us of a general providential wellbeing.

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