By Newton Lee
Disney tales: attending to Digital explores how Disney, the guy and the corporate, used technological innovation to create characters and tales that have interaction audiences in lots of varied media, specifically in games and at the Internet.
Drawing on Disney motion pictures from the twenties and thirties, in addition to the writings of historians, screenwriters and manufacturers, Disney tales: attending to Digital explains how new movie and animation suggestions, many constructed through Disney, labored jointly to adapt personality and content material improvement and bring enjoyable tales that riveted audiences.
Through an insider’s viewpoint of Disney’s mythical production approach, the publication heavily examines how the Disney corporation moved its tales into the digital international within the Nineteen Nineties and the digital, on-line groups of the 2000s. by way of embracing the electronic period, Disney led storytelling and technological innovation by way of granting their viewers the original chance to participate of their construction strategy via their on-line video games, together with The Lion King lively tale Book, Disney Blast and Toontown.
Disney tales: attending to Digital is meant for Disney enthusiasts and present practitioners trying to learn the construction strategy of probably the most well-known animation studios in lifestyles. Professors educating classes in new media, animation and interactive storytelling also will locate this ebook a priceless asset.
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Additional resources for Disney Stories: Getting to Digital
Sample text
He developed a method to synchronize the music together with the animation. Using a metronome he created a preliminary score that was a notation of the music Walt had in mind for a piece. For each scene, Walt wrote out in detail how the action and the music were to be combined. When the results were shown, it appeared as if the sounds came from the characters and their actions. To see how this could work Walt set up a test when the cartoon was half finished. He ran the film in one room while in the other his staff worked from the score to produce the background music (harmonica) and sound effects (pots, pans, slide-whistle) in synchronized time to the action.
The scene both looks and sounds funny. These actions and sounds give Mickey a brilliant idea. He props open the goat’s mouth, Minnie cranks the goat’s tail, and the goat sings the song. 6 “Talkie” and “Mutie” demystify sound film for the audience. Finding His Voice: http://www. org/details/FindingH1929. 7 Both musical and visual gags were now possible: the goat sings as Minnie cranks its tail in Steamboat Willie. youtube. v=RexXDDA8RoI. 40 5 Synchronizing Sound and Character This is just the first of a series of musical gags that takes advantage of the potential for parts of different animals to make sounds.
Cracking the Market 23 tire bursts and Red Riding Hood replaces it with a donut she has blown up to the right size. However, most gags are arbitrary and not contextual to the story. The wolf in this contemporary take of the old fairytale is a dirty old man, driving in the opposite direction, whom Red meets and with whom she has a quick chat. As they go their separate ways, the conniving wolf manages to get to Grandma’s first. When Red Riding Hood arrives, a tussle ensues. We do not see the struggle directly, only the house bouncing around with “help” popping out of it.